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What is Fine Art? A Legendary Artist’s Take

Ad Reinhardt was a legend in his time and still is a legend today. While some of his views have not always been the most popular, widely accepted views, they are still highly revered even today. He had a classic way of teaching his opinions and views of art. Over the years, some artists have found Reinhardt’s bordering the line of offensive, but he still retained the respect he deserved as a teacher of art.

Fine art can only be defined as exclusive, negative, absolute and timeless. It is not practical, useful, related, applicable or subservient to anything else. Fine art has its own thought, its own history and tradition, its own reason, its own discipline. It has its own “integrity” and not someone else’s “integration” with something else.

A foundational concept that Reinhardt lectured on was the “Academy of Fine Art” and it’s purpose was “to give certain rules to our art and render it pure.”

Reinhardt believed that Fine Art and paintings were the highest and freest forms of all art works. He said that the first rule of Fine Art and painting is based on the purity of the art.

According to Reinhardt, “the more uses, relations and “additions” a painting has, the less pure it is. The more stuff in it, the busier the work of art, the worse it is.” The artist firmly stood on the concept that “More is less.”

He believed that Fine Art should be emptied and purified of all “other-than-art-meanings” and that any museum of fine art should contain nothing but fine art. In creating fine art the Artist believed one should focus less on thinking in artistic terms, and instead think in non-artist terms. Exploit what is easy less, use common skills less. The less an Artist exploits the easy, common skills, the more of an artist he is.

Fine art is not “a means of making a living” or “a way of living a life.” Art that is a matter of life and death cannot be fine or free art. An artist who dedicates his life to art, burdens his art with his life and his life with his art.
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Thoughts for this article come from Ad Reinhardt’s “Twelve Rules for a New Academy”

Manss Aval Upcoming Art Exhibit at Greenwich Gallery, London

Artist Manss Aval ’s photograph At The Beach has been selected for participation in the upcoming Art Exhibition at the famous Greenwich Gallery in London. Manss Aval’s work will be on display from March 20th through April 5th, followed by the prize contest with Award.io where the winning photograph will be selected.

Artists who are selected to participate in the two week long art exhibit have been chosen to do so by Curator, Tony Othen. Tony has traveled the world judging art and enjoying photography of many different types. As Tony himself has been a photographer for over 40 years, he has a famously keen eye for fine art and photographic works of excellence.

The Curator hand picked only fifteen photographs for inclusion at the Greenwich Gallery and Manss Aval is extremely honored to be one of these select few.

MANSS AVAL

Artist Manss Aval has won many prestigious awards for his artwork in recent years. The artist has been the honored guest of hundreds of art shows and featured exhibits around the world.

AT THE BEACH

ManssAval At the Beach BW-3

“Solitude of Multitudes. One of the most striking elements of Western society is the anonymity and solitude of its members.” – Manss Aval on his photograph, At the Beach.

ABOUT GREENWICH GALLERY

The Greenwich Gallery is a small, intimate gallery that has been running for more than five years near to the heart of Greenwich Village.

The Greenwich Gallery exhibits mostly photographic work and has hosted more than 50 shows. It specializes in solo exhibitions of themed, cutting-edge work.

Louvre Museum Carrousel du Louvre Art Fair 2015 Manss Aval

Manss Aval Selected for 2015 Carrousel du Louvre, Louvre Museum in Paris

Louvre Museum Wikimedia Commons
Louvre Museum Image by Benh LIEU SONG
Artist Manss Aval has been selected to participate in the world-famous art exhibit in Paris at the Carrousel du Louvre, Louvre Museum in Paris, France.The Louvre Museum is the most visited art museum in the world, home to historic pieces like the Mona Lisa.

Twice a year, a select group of international Artists are hand-picked to show their work at the exquisite art exhibit located in the underground shopping district, the Carrousel du Louvre.

Carrousel du Louvre, lies under the main entrance of the famous museum, which still contains the ancient wall that was discovered during construction works.

Anyone visiting Paris is sure to stop and visit the Louvre Museum with its unique architecture and famous skylight, La Pyramide Inversée, which means “the inverted pyramid”. The famous architecture has been visited by millions and even has an important role in author Dan Brown’s best selling novel, The Da Vinci Code.

Manss Aval will be featured at the Carrousel du Louvre on June 14-15, 2015. The event is ideal for art collectors and art enthusiast to purchase and explore the emerging artwork from across the world in one historic art fair. Original paintings by world renowned artists in oil, acrylic, mixed media, photography, and sculpture will be on display. Art lovers will even have the opportunity to meet the creators themselves as Artists fly in from around the globe for this prestigious event.

“The Louvre in Paris is one of the country’s most valued cultural institutions” CNN

Image: By Benh LIEU SONG CC BY-SA 3.0 via Wikimedia Commons

Screen Shot Clio Art Fair happening March 5-8- Image property of Clio Art Fair

Manss Aval at Clio Art Fair New York March 5-8th

Screen Shot Clio Art Fair happening March 5-8- Image property of Clio Art Fair
Image: Clio Art Fair

Artist Manss Aval has been selected to participate in the Clio Art Fair, New York this week, March 5th through 8th.

The Clio Art Fair, “The Anti-Fair for Independent Artists” is a unique and impressive art exhibit featuring independent artists that deserve a platform to show their art to the world. The event is located at 508-526 W 26th St., New York, NY 10001

The Clio Art website stated this: “By specifically targeting artists without any exclusive NYC gallery representation, CLIO ART FAIR focuses attention on the kinds of contemporary art and interventions that are being created by independent artists the world over.”

“Clio Art Fair seeks to foster a dialogue that transcends prescribed geographies, hierarchies, and markets; and to further opportunities for greater expression of new media and ever ground-breaking content.”

The first night of the event begins March 5th with a Press Preview from 5pm – 6pm, followed by the VIP Opening Reception from 6pm -10pm. On March 6th the VIP Private Viewing will commence at 6pm -10pm.

To purchase tickets to the VIP Opening Reception, click here.

The Clio Art Fair will have two special free public viewings, one March 7th 10am – 6pm and then again on March 8th from 12pm – 6pm.

Out of Nowhere by Manss Aval artist

Manss Aval Top 10 Finalist, Artexpo 2015 Poster Challenge

Manss Aval artwork in new york artexpo 2015 poster challenge
Vote for Manss Avals Art: Out of Nowhere

Manss Aval has been selected as one of the Top 10 Finalists for Artexpo 2015 Poster Challenge. To support Manss Aval he needs votes to win the final round of the Artexpo 2015 challenge.

To help our Artist win this challenge, Manss Aval has to get the most votes by March 6th. To help him do this, Go to the Artexpo Facebook page starting today, Feb 27 – March 6, and click “vote” to put your vote in for Manss Aval’s artwork. The artwork  Manss Aval has been selected for is titled, “Out of Nowhere”.

Manss Aval Art can be seen in both online galleries as well as in the Fine Art Maya Art Gallery, San Diego, California.

About the ArtExpo NY Poster Challenge

The Artexpo New York 2015 Poster Challenge theme this year is “Passageways.” Whether that entails a transition, a new beginning, a literal passage or corridor, or some other creative interpretation is up to the Artist. The challenge rules states that the Artexpo challenge is accepting submissions from artists around the world, of all skill levels in the following mediums: painting, photography, mixed media, drawing, pastels, ink, and more

Artexpo New York Facebook Pg  - New York, NY Manss Aval
Vote for Manss Aval in the Artexpo NY 2015 Poster Challenge

Judging will be conducted by Redwood Media Group, Artexpo Education Program faculty, and professional artists. Redwood Media Group retains the sole rights to select and determine the judging panel, as well as the selection of the ten finalists.
Judges will be looking at the art submissions in terms of it’s overall appropriateness to the theme, originality, sense of composition, creativity, technical skill, use of materials and light, and overall impact on viewer.

The winner of the Artexpo New York 2015 Poster Challenge:

• The Artists original “Passageways” themed artwork, name, and title on the Artexpo New York 2015 Official Poster
• Editorial coverage in the Artexpo New York 2015 Show Guide
• A featured article in the Summer 2015 issue of Art Business News
• A prime-location display wall featuring the original artwork at Artexpo New York 2015
• Total value of prizes: Over $17,000

 

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Source: Artexpo New York

 

Manss Aval art at Embler Art Gallery JFK

Manss Aval Art Displayed at Embler Art Gallery

Artist Manss Avals artwork on display in Embler Art Gallery Artist Manss Aval’s esteemed artwork is now being displayed within the Embler Art Gallery in the Admirals Club at the JFK International Airport in New York. The otherwise stark but modern airport comes to life with three unique pieces of Mr. Aval’s distinguished art brightening the airports interior.

The Artist has had a number very of highly acclaimed establishments display his paintings and photography works and this truly adds to the collective list. Manss Aval will be participating in several Art Exhibits in the coming months. Follow the link to view a list of Manss Aval Art Exhitbitions.

The JFK airport is one of the most heavily frequented airports in the world. To have Art on display in Embler Art Gallery in the Admirals Club, is truly an honor.

Fine Art Maya is proud to have artwork of such high notoriety being given its due attention worldwide, as Manss Avals work is. The Artist has most recently been displayed in various locations such as Times Square, on two of the largest billboards in the heart of NYC, in the Barcelona International Art Fair, Spain,  the Spectrum Art Show, Miami, and numerous other prestigious art showcases worldwide.

About Manss Aval

The artist and long-time fine art photographer works and resides in San Diego, California. As primary media he concentrates on photography, acrylic and oil on canvas, and mixed media techniques. Among his many other interests are sculptures, video and film. He has a broad background in media, communications and the natural sciences (including a PhD in science).

Manss derives much of his inspiration from Nature’s patterns and textures. His works often transform inanimate objects into faces, designs and complete figures that present our environment in a different, more intimate perspective.

Manss Aval Artwork in Embler Art Galleryat JFK Internation Airport

To learn more about the Artist, Visit the Manss Aval Website.

EmblerArtJFK IMG 2

Photographer Stalks Her Identity Thief, Creates Art

Jessamyn Lowell Photography of HartAs stated many times in the past, Art comes in many forms and can be discovered in every part of our daily lives. This is exactly what photographer Jessamyn Lowell found after learning a woman had stolen her wallet and her identity.

Photographer Jessamyn Lowell, was the unfortunate victim of a crime that happens far too often, identity theft. When Jessamyn’s wallet was stolen in San Fransisco it wasn’t until five years later that she learned that the person who had stolen her wallet had also stole her identity. Police informed Jessamyn that Erin Hart assumed her identity, and had proceeded to commit petty crimes under the false pretense of being Jessamyn.

Once Jessamyn learned about the true extent of what happened, she became intrigued with her identity thief. She wanted to learn more about this woman who had been pretending to be her. The photographer decided to remedy the situation for herself, she would bring closure by taking a different approach to the situation than most would; She would document the ordeal in a photo project appropriately titled “Dear Erin Hart”. She would dive into her identity thieves life just as the Erin Hart had done hers.

This intrigue turned into an unusual infatuation with Hart, what some might even call legitimate stalking. Jessamyn even hired a private investigator at one point but due to the expense, only did this once. The photography journey started by following the woman directly after she was released from jail. That day Jessamyn followed the woman to the gas station and photographed her buying cigarettes,then on to a thrift store to photograph her shopping for clothes. Jessamyn tailed her identity thief to a bus station shortly after the shopping trip, then on to the next destination across town. Eventually she ended the days surveillance when Hart disappeared into an alley and Jessamyn didn’t follow.

Jessamyn Lowell Photography Dear Erin Hart

All the while, she photographed the woman and tried to capture a sense of who she might be inside. The pictures tell their own story of the woman and Jessamyn stated that while she had no intentions of befriending the lady, she did think that they had shared similar struggles in life. Jessamyn said that she grew up understanding poverty and class restraints and she felt that she could recognize this in Hart as well.

The following of Hart eventually ended and Jessamyn reached out to Harts’ probation officer to send her a letter. Jessamyn informed Hart that she had been photographing her and asked her to contact her. Erin Hart received the letter from Jessamyn, but never made contact.

In 2014 Dear Erin Hart became an exhibition installation at the San Francisco Camerawork Gallery. Oddly, the same place where Jessamyn’s wallet had been stolen years prior.

 

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Images: Jessamyn Lowell

 

 

Ad Reinhardt’s 12 Rules of Pure Art: Part 2

Reinhardts rules of fine art

Last week we shared the first six rules of Ad Reinhardt’s famous “12 Rules of Pure Art”. In this article we will conclude with the last six rules in Reinhardt’s list. For any viewer jumping into Part 2, below is a brief overview of Ad Reinhardt. To read the first six rules, follow the link Ad Reinhardt’s 12 Rules of Pure Art: Part 1.

Artist Ad Reinhardt lectured and wrote extensively on art during his lifetime. He was a major influence on conceptual art, minimal art and monochrome painting.  In 1957 Ad Reinhardt took up the subject of contemporary abstraction and crafted twelve rules for artists to follow in order to achieve “purity in art”. These rules are what we know as Reinhardt’s “12 Rules of Pure Art”.  The Artist believed that achieving purity in art is reached by applying rules such as no forms, no texture, no color, nothing but pure blackness.

Reinhardt’s 12 Rules of Pure Art Continued…

7) No light

Reinhardt’s rule #7 describes refraining from using light; no bright or direct light, in or over the painting. He suggests the use of dim, late afternoon light and stated that non-reflecting twilight is best in the outdoors.

8.) No space

No space. Reinhardt felt all space should be empty. Space should not project and space should not be flat. “The painting should be behind the picture frame.” The frame’s purpose is to isolate and protect the painting from its surroundings. Space divisions within the painting should not be seen.

9) No time 

No portrayal of time. Reinhardt said that there is no ancient or modern, no past or future in art. A work of art is always present. “Clock-time or man’s time is inconsequential.” Rule #9 is explains The present is the future of the past, not the past of the future.

10) No size or scale

“The breadth and depth of thought and feeling in art have no relation to physical size.” This rule implied that large sizes are aggressive, positivist, intemperate, venal and graceless.

11) No movement

Reinhardt felt that art should be still. As he wrote his 12 rules of pure art over 60 years ago, the fast-paced lives lived today would surely surprise him and add further support to this rule.“Everything is on the move. Art should be still.”

12) No object, no subject, no matter

No use of symbols, images or signs with indications of pleasure or pain. No mindless working.  No mindless non-working.

About Ad Reinhardt

Adolph “Ad” Frederick Reinhardt was an abstract painter from New York. He was a member of the American Abstract Artists and was a part of the movement centered on the Betty Parsons Gallery that became known as abstract expressionism. Ad Reinhardt was most famous for his “black” or “ultimate” paintings.

Ad Reinhardt’s 12 Rules of Pure Art: Part 1

rules of pure art by ad reinhardtArtist Ad Reinhardt lectured and wrote extensively on art during his lifetime. He was a major influence on conceptual art, minimal art and monochrome painting. Ad Reinhardt was most famous for his “black” or “ultimate” paintings. In one of Reinhardt’s famous art lectures he gave his “12 Rules of Pure Art”.

In this article we are going to give a brief overview of Reinhardt’s rules in a two part overview. Today, we cover the first 6 rules. In part 2, we will conclude the overview with the last 6 rules of pure art.

Almost 60 years ago in 1957 Ad Reinhardt took up the subject of contemporary abstraction and crafted twelve rules for artists to follow in order to achieve true “purity in art”. Similarly found in some of Reinhardt’s most famous paintings, purity in art is reached by applying rules such as no forms, no texture, no color, nothing but pure blackness, to create pure art.

1) No Texture

Reinhardt felt that the use of texture is naturalistic, mechanical and had a “vulgar quality”. Pure art was to be created without techniques such as palette-knifing, canvas-stabbing, pigment-textures or impasto. No accidents or automatism. “Action-techniques are unintelligent and to be avoided.”

2) No brushwork or calligraphy

Reinhardt felt that hand-writing, hand-working and hand-jerking were in poor taste and that they revealed something too personal.  Rule #2 states not to use signatures or any type of trademarking. “Brushwork should be invisible.” 

3) No sketching or drawing

No lines or outlines. No shading or streaking. No sketching or drawing beforehand. He felt that everything, where to begin and where to end, should be worked out in the Artist’s mind before even starting. “In painting, the idea should exist in the mind before the brush is taken up.”

4) No forms 

Reinhardt believed that the finest art has no shape. No shape meaning no figures, no spheres, no cubes, no cones, no cylinders, and no volume or mass in the artwork. In describing his rule #4 to use no form he said, “No shape or substance.”

5) No design 

Reinhardt said that “Design is everywhere” . Staying true to the rest of his academy of art, the use of designs to create art would not be true creation at all. Instead of using a predetermined design, look for pure designs all around you.

6) No colors 

Reinhardt said “Color blinds.”  He felt that colors were only an aspect of something; a surface appearance and as such, was not true to pure art. As colors were only the surface of the art, he felt they were only a “distracting embellishment”.

Reinhardt said do not use white, as white is a color. He felt the color white was “antiseptic and not artistic, appropriate and pleasing for kitchen fixtures, and hardly the medium for expressing truth and beauty.” 

About Ad Reinhardt  

Adolph “Ad” Frederick Reinhardt was an abstract painter from New York. He was a member of the American Abstract Artists and was a part of the movement centered on the Betty Parsons Gallery that became known as abstract expressionism.

Join us next week when we go over the last 6 rules in Reinhardt’s 12 Rules of Pure Art.

The Rain Room

The Rain Room by Random International
The Rain Room.

The Museum of Modern Art is famous for so many different art displays its hard to keep track of all the fabulous talent that has graced the New York museum. One art display, Rain Room, has fans so eager to experience the unique art display that they wait outside in line for several hours, just to experience 10 minutes inside the Rain Room.

The Rain Room is a temporary installation in which water magically rains down all around visitors as they walk the exhibit; everywhere that is, except in the areas where sensors detect people. These sensors give visitors the illusion of walking between the drops in the rain and this is what has captivated so many people and kept them coming back for more. There have even been several reports of couples proposing inside the Rain Room.

The Rain Room was created by art collective Random International and first appeared in 2012 in London. At the London location  people waited in line for nearly 12 hours to get inside the exhibition.

The magic of water falling all around you, yet never touching the viewer caused quite the stir on social media networks and also drew mixtures of reviews from art critics. Some critics of the Rain Room said it wasn’t, in their opinion, art, while others disagree and felt the Rain Room brought them a unique experience unlike anything they had ever had before. Others complained that they didn’t like hours and hours required waiting in long lines to enter the exhibition. Some were not happy that they could not spend longer in the rain room.

The creators insisted that the visitors never be put on a time constraint but due to the enormous popularity, people are encouraged to spend no more than 10 minutes in the display at a time. The 10 minute suggestion is a “courtesy timeframe” to show consideration to the people whom are still outside waiting to get in; some of which who may have waited hours in line. While this upset some people, it didn’t stop them from coming to the show and some then there were those visitors who just completely ignored the courtesy time suggestion and stayed 45 minutes.

Most recently announced Art Collector Budi Tek has announced that he will be bringing the Rain Room to his private museum in Shanghai in September 2017.

The Rain Room Art Exhibit Experience
Image courtesy of  Random International
Top Image courtesy Museum of Modern Art, New York